Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Lord Frederic Leighton
Actaea, the Nymph of the Shore

ID: 86847

Lord Frederic Leighton Actaea, the Nymph of the Shore
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Lord Frederic Leighton Actaea, the Nymph of the Shore


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Lord Frederic Leighton

British 1830-1896 Lord Frederic Leighton Locations   Related Paintings of Lord Frederic Leighton :. | Abaelard und seine Schuerin Heloisa | Sansone | The Muisc Lesson | A Girl Feeding Peacocks | Acme and Septimius |
Related Artists:
Zahari Zograf
(1810?C1853), better known as Zahari Zograf (or Zahariy Zograf) is arguably the most famous Bulgarian painter of the Bulgarian National Revival, noted for his church mural paintings and icons and often regarded as the founder of secular art in Bulgaria due to the introduction of everyday life elements in his work. Zahari Zograf was born in the town of Samokov in 1810 and was taught by his brother Dimitar Zograf, with whom he later worked together, as his father died early. A spiritual student of Neophyte of Rila since 1827, he became an equal partner of his brother at the age of 21 in 1831, i.e. he was proclaimed a master. His best known icons are those of the SS Constantine and Helen Church in Plovdiv, the Church of the Theotokos in Koprivshtitsa, as well as a number of monasteries. Zahari Zograf's best known frescoes are those in the main church of the Rila Monastery, in the chapel and the St Nicholas church of the Bachkovo Monastery, the Troyan Monastery and the Monastery of the Transfiguration. He painted three mural portraits of himself in the latter three, a move that was regarded as controversial during the time.
Hippolyte Berteaux
(1843 - 1928)
Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).






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